There is an article based on an interview with Vulture where Hans Zimmer claims to have done it with brass players playing into a piano standing in a church as a kind of experiment.
However, this kinda pissed off Mike Zarin who details how the development of the sound was a team effort involving many people in this article that shows the evolution of the sound over the various trailers and score pieces, including trailers that Hans Zimmer wasn't involved in.
It doesn't seem like Richard King was involved at any point though and I also can't hear that exact BWAAAH sound in the Featurette Oliver_C posted.
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